Artium. Plaza, urban lounge
Press release
- El Correo.com, 20 Diciembre 2010 , 20/12/2010
- 20 minutos Valladolid, 6 de Junio de 2010 , 06/06/2010
- El Correo, 22 de marzo de 2010 , 22/03/2010
- Diario de noticias de Álava, 19 de marzo de 2010 , 19/03/2010
- Mugalari, Gara, 19 de marzo de 2010 , 19/03/2010
- El Correo, 19 de marzo de 2010 , 19/03/2010
- Diario Vasco, 19 de marzo de 2010 , 19/03/2010
- EITB Kultura, 17 de marzo de 2010 , 18/03/2010
- EITB Kultura, 18 de marzo de 2010 , 18/03/2010
- Radio Vitoria EITB, 17 de marzo de 2010 , 17/03/2010
- Diario Vasco, 12 de febrero de 2010 , 12/03/2010
- Estrategia Empresarial, 16 de marzo de 2010 , 16/02/2010
- El Correo, 12 de febrero de 2010 , 12/02/2010
- El Pais, 12 de febrero de 2010 , 12/02/2010
- Noticias de Alava, 12 de febrero de 2010 , 12/02/2010
- El Correo, 8 de febrero de 2010 , 08/02/2010
High resolution pictures
2009. A research about public sphere taking the square of the Artium museum as case study. Vitoria- Gasteiz
Artium wants to activate its relation with the environment where is located, with the city, with Vitoria-Gasteiz, and as aim, the relation of the Institution-Museum with the Society. For it, they entrust to Consonni a project that is formalized in the transformation of its inside square in a real public space, square that in these moments is the paradigm of the public space without public use. And when analyzing a museum through Artiums´ critical intent as museum, it leads us to wonder about the role of the art in relation to the public, the relationship of museums with their host cities nowadays, its evolution as institution, mission and aims…
In a first stage, work is to be undertaken under the supervision of the architect Tania Magro Huertas that involves an urban analysis and a study of popular involvement with a view to providing working material on analysis and reflection for/on/by the museum. This first stage, is divided in “Analysis and urban research" and “Processes of civil participation ". Furthermore, the artists involved in the project’s second stage can use this material to submit ideas based on knowledge of the museum’s social and urban environment. It is precisely in this second stage that the guest artists or artist, as yet to be determined, will propose the plaza’s regeneration through a specific artistic project.